Adum hasn’t rushed this. There’s a sense of patience to the way he’s built things so far, trusting the songs to do their job rather than forcing the moment. No shortcuts, no industry sleight of hand, just a sharp instinct for melody and an emotional directness that doesn’t need dressing up.

The Egyptian/Scottish-born, London-based artist sits loosely alongside names like Dermot Kennedy, Cian Ducrot and Lewis Capaldi, but the comparison only goes so far. There’s something more unguarded in the way he writes and delivers, leaning into imperfection and letting the cracks show. That’s where the connection comes from.

What’s striking is how little of this has been driven by the usual machinery. More than 180,000 followers on Instagram and 600,000 on TikTok have turned into millions of streams without editorial playlisting or a major marketing push behind it. A recent run of European headline dates, alongside a string of sold-out rooms including a debut German headline that went in under an hour, further solidifies Adum as a talent on the rise. The growth has been steady, and it’s been real.